If you asked me to visualize in my mind a “book for children” – if you gave me a description that vague, asked me to roll with it, and said “just picture a kids’ book in your head” – chances are, the first thing I’d think of would be a Tomie dePaola illustration. Even if you’re not familiar with the name (and most of you probably are), almost everyone in the Western world and beyond probably has had some experience with a Tomie dePaola book. According to his website, he “has written and/or illustrated nearly 250 books”, which doesn’t surprise me. His visual style and storytelling skill are just so beautiful, iconic, and ubiquitous that Tomie books are almost a genre unto themselves. I think it’d be fairly hard to find a child’s home library that doesn’t have at least one dePaola title prominently featured in its collection.

The Knight and the Dragon

Such a fun take on the classic "knight v. dragon" scenario

It also doesn’t hurt that many of his books are card-carrying kids’ classics. When my daughter first started asking us about death at age three, we immediately turned to my wife’s dog-eared childhood copy of Nana Upstairs & Nana Downstairs – if you have elderly relatives, readers, you need to have that book on standby – and Strega Nona, possibly dePaola’s most famous work, is a home library essential and one of the most memorable books from my own childhood. (A local children’s theater company, The Wild Swan Theater, does a tremendous stage adaptation of Strega Nona that my daughter adores.) However, even though Nana Upstairs and Strega Nona are both must-own works and probably dePaola’s best known titles, my daughter and I have always had a special place in our hearts for The Knight and the Dragon, a rousing tale of dragon fighting, rejecting social roles, and the wonderful things that can happen when you take the advice of a librarian.

Once, when my daughter was two and half, I took her to our local bookstore and told her that she could pick out whatever book she wanted. She headed off into the stacks and, though I’d mentally prepared myself for coming home with an Elmo book, instead, she eventually emerged holding a paperback copy of The Knight and the Dragon. “I really want this, Daddy,” she said.

The Knight and the Dragon

Wait, am I supposed to be the good guy or the bad guy in this story?

Though I was familiar with Tomie dePaola, I’d never read The Knight and the Dragon, so we sat down in the store and we read it together. Minutes later, we reached the end of the story and we both just sat there with goofy, delighted smiles on our faces. “We need this book, Dad,” she told me and, while I totally admit that she might have been manipulating me into buying her something… well, it worked. Despite my best efforts, I am a very manipulatable daddy, particularly when it comes to buying books. We bought it and it’s become a big favorite in our house.

What I like the most about The Knight and the Dragon is how it plays with the expectations that readers have for certain kinds of stories. Before we read the book, I asked my daughter, “What do you know about knights and dragons?” And she replied, “That they fight.” I’m not even sure how she knew that. At the time, I’m pretty sure we didn’t have any books with dragon-slaying on her shelves and I’m not sure where – in her limited TV and movie watching – any knightly combat could’ve come up. Maybe it’s just one of those cultural landmarks that people just KNOW about. I knew that Rosebud was a sled long before I ever saw an Orson Welles movie, so maybe, kids just know deep down in their collective unconscious that knights and dragons don’t get along. [read the rest of the post…]

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Charlie Cook's Favorite Book

Is that book appropriate for a child to read? What about a pirate? Should I be worried about an alien being offended by the content within?

I’ve started to get some questions from readers about how I cite “age ranges” for certain kids’ books and whether or not, when I talk about “age ranges,” if I’m actually talking about “reading levels.” I understand how the distinction between the two can be confusing, so I’m going to try to clear things up a bit.

(Note to Readers: There is a 95% chance that, in the act of trying to “clear things up,” I will, in fact, make things “infinitely more confusing.” The best thing to do is probably just sit back and enjoy watching me dig myself into a hole.)

So, when I list the “age range” in one of my book reviews, what exactly am I talking about? In my interpretation of “age range,” I’m talking about whether or not the material in the book is appropriate for a child of that age. When I state a certain age range – let’s say “3 and older” – I’m saying “it should be fine to READ THIS BOOK to any kid who’s three years old or older.” (And I’m also implying that it’s OK for your child to browse the book on their own.)

Since I have a five-year-old kid, almost every book I’ve profiled on the blog, in my opinion, is appropriate for any other five-year-old and most should be fine for any kid younger than five too. The only books that I’ve written about so far that I wouldn’t share with my own daughter right now are the books I’ve labeled “Books My Kid Will Read in the Future” (that should’ve been insanely self-explanatory).

However, don’t think that “age range” means the same thing as “reading level.” To me, “reading levels” are all about independent reading. A reading level is an estimation of “a child this age should be able to read the text of this book on their own without much help.” While most of the books I’ve profiled fall within my daughter’s “age range” – i.e. the material is appropriate for her – far, far less fall into her “reading level” – i.e. she’d be able to read the entire book on her own.

Is that clear?

In my opinion, age ranges are fairly easy to identify. It’s basically you, as a parent, asking yourself, “When do I think my kid would be old enough for me to read this book to them?” But, to me, reading levels are much, much harder to calculate. Maybe it’s because my daughter is relatively new to independent reading, but I’m not much good yet at looking at a book and estimating whether or not my kid will have trouble with the vocabulary. [read the rest of the post…]

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Baby Reading a Book

Question: What's cuter than a baby reading a book? Answer: Almost nothing.

The upside to having your own kid lit blog is that now, when friends’ kids have birthdays or when a new baby is born, the expectation is that I should be the one who gets to go out and buy new books for the kids. This fact delights me, since I really enjoy buying books, and vaguely annoys my wife (which also kind of delights me). Granted, the existence of the blog also adds some added pressure to my book picks as people now expect that I’m only going to select profoundly great titles for their children, which is a hard expectation to live up to. So, it was with this mixture of joy and anxiety that I headed out to the bookstore last night to buy some new books for friends who just had a new baby. (A girl named Scout – how cool is that?)

I decided to stick to board books because there are years and years to make sure that your kid has a great library of paperback and hardcover classics at their fingertips, and I love actually giving babies books that they can start abusing right away. Board books are solid, sturdy, and, if your baby HAS to chew on something, I’d rather have them chomping on some high quality kid lit as opposed to just some old binky or blanket. Plus I think one of the best things you can do to encourage your children to read is to just have lots of books around and available for them to experience. Books need to be a part of their daily environment, and board books are very safe, very accessible reading material for developing kids.

I did a feature a while back on “Five Great Board Books That Aren’t Goodnight Moon or The Runaway Bunny and, while those are all great board book titles that I recommend HIGHLY – don’t get me wrong, Goodnight Moon or The Runaway Bunny are still must-own canon classics – I decided to pursue a few different options this time, picking out a mixture of classic and newer titles. If you’re in the market for some new board books or if you’re about to buy a gift for a friend with a young baby or toddler at home, here are the five board books I bought last night, all of which I’d definitely recommend.

Board Books

Note the gift receipt as I hedge my bets....

1. The Monster at the End of This Book by Jon Stone, illustrated by Mike Smollin

OK, after yesterday’s post, I kinda had to buy this one, didn’t I? But it’s still one of the best board books ever.

2. Dinosaur vs. Bedtime by Bob Shea

Dinosaur vs. Bedtime

Always bet on bedtime...

We actually don’t own any Bob Shea books ourselves, but he’s been on our radar for a long while – my daughter read I’m a Shark at a friend’s house and loved it – so I decided to pick up Dinosaur vs. Bedtime and give it a read at the store. I’m glad I did. Shea’s illustrations are fun and bombastic, and the whole book just has this wonderful anarchic energy that I think kids will really respond to. (Also, Dinosaur reminded me of the six-year-old older brother of the new baby I was buying for, so that was an added bonus.)  In the book, Dinosaur throws him up against obstacle after obstacle – a pile of leaves, spaghetti, his parents, etc. – and, after tackling his opponents, he throws his hands up and declares “Dinosaur WINS!” However, at the end of the book, Dinosaur discovers the one opponent he can’t defeat – bedtime. [read the rest of the post…]

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The Monster at the End of This Book

One of the most essential kids' books of all time... seriously

I’ve mentioned several times (probably too many times) on this blog that the very first book I bought for my daughter was The Phantom Tollbooth. But, dear readers, do you know what the SECOND book I ever bought for her was? It was The Monster at the End of This Book by Jon Stone and Mike Smollin.

So, with the entirety of children’s literature in front of me, why did I choose to purchase a Sesame Street book, a book based on a TV show,  as the second foundational text of my unborn daughter’s home library?

It’s a simple answer – The Monster at the End of This Book is an AMAZING book. It’s a groundbreaking book. In my humble opinion, it is one of THE greatest read-aloud books ever written, it is one of the best “books about books” in the history of literature, and, personally, I have a hard time of thinking of more than a few other titles that do such an effective job of showing kids how breathtakingly FUN reading a book can actually be. And, yes, it’s a book about Grover, a small blue puppet from TV. It’s freakin’ great.

The Monster at the End of This Book was the first “meta” book I ever remember encountering as a child. I know hipsters throw around the word “meta” almost as frequently as they line up for overpriced brunches, but, for the rest of you, a good working definition of “meta” is: “a term, especially in art, used to characterize something that is characteristically self-referential.” In other words, The Monster at the End of This Book is a book that is wonderfully aware that it is, in fact, a book. And that’s a really, really fun and potentially mind-blowing concept to introduce to a young reader.

The Monster at the End of This Book

This book might have my favorite typography of all time

The lead character, Grover – lovable, furry old Grover – is one of Sesame Street‘s friendly monsters and, as the star of this “meta” picture book, he can talk to the readers, he knows that we’ll be turning pages… unlike most characters in children’s literature, he is fully aware that he is a character in a book and he understands the mechanics of reading books. He knows that, in the act of reading a book, we as readers turn pages until we get to the end of the book. And that’s a problem for Grover because, in his post-modern “meta” world, he was able to read the title of his own book and he now knows that “there’s a monster at the end of this book.” And poor old Grover is afraid of that monster and, to prevent us from ever encountering the rumored beast, he wants us to stop reading RIGHT NOW.

That sounds like such a simple idea, but it’s as complexly absurd as anything Lewis Carroll ever proposed in any of his Alice books. Who ever heard of a character asking you to stop reading their book? And he’s not just asking you – he’s BEGGING you. Grover realizes that, every time you finish reading a page and turn to the next one, you are bringing him that much closer to this so-called monster. So there is this tangible countdown, this almost inherent drama at the core of The Monster at the End of This Book, in which, more than in reading almost any other kids’ book, you are in-your-face AWARE that you’re moving towards SOMETHING. And, by asking us to stop reading, Grover has ensured that any curious kid worth their salt absolutely MUST reach the end of this book. [read the rest of the post…]

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I may have mentioned once or twice that I’m kind of a big fan of Norton Juster and Jules Feiffer’s The Phantom Tollbooth. 2012 marks the fiftieth anniversary of the book’s first publication and, as a result, there have been lots of Tollbooth-related events, appearances, and reflections popping up here and there. (I’m most looking forward to the upcoming Phantom Tollbooth Turns 50 documentary that filmmaker Hannah Jayanti funded via Kickstarter in 2011.) Last weekend, in recognition of the anniversary, CBS Sunday Morning did this nice piece on Juster and Feiffer and the continuing legacy of their timeless masterpiece. It’s definitely worth a watch.

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The Purple Kangaroo

Believe it or not, but Cormac McCarthy will NOT do stuff like this to promote his books...

I wrote yesterday about how much I enjoyed comedian Michael Ian Black‘s picture books and, as I browsed the YouTube channel of Black’s publisher, Simon and Schuster, last night, it quickly became apparent to me why ANY publisher would want to have an established comedian as one of their authors – they’re INSANELY good at promoting themselves.  Sure, the comedian needs to be good writer, first and foremost, but, if the book is good, the publisher also inherits this wonderful promotional partner, a partner who is really skilled at getting in front of a camera or a crowd and engaging audiences.

Self-promotion skills seem to be a pre-requisite for ANY up-and-coming author nowadays – they’ve got to start their own websites, establish their own social media presence, go on self-funded tours, etc. – but, when you’ve got a performer like Black, who’s had decades of experience at selling people on his persona, you really start to appreciate how valuable it must be to a publisher to have someone this funny trying to sell your books for you.

That’s all a very long-winded way of saying – check out these extremely funny videos Black made to promote The Purple Kangaroo. The first has a kangaroo-costumed Black reading his book and the second is a hysterical look into the creation of the picture book, in which Black plays up his loveable d-bag on-stage persona and wonderfully torments illustrator Peter Brown. Enjoy.

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The English Roses

Very, very few readers regard Madonna's picture book as "too good to be true"...

There was an article a few weeks ago on Deadspin – titled “If You Give A Mouse A Cookie, You’re F*****: 10 Tips For Avoiding Terrible Children’s Books” by Drew Magary – that I thought was fantastic because, beneath Magary’s good-natured vitriol and snark, he gave some really perceptive, insightful advice about trying to steer your kids away from lowest common denominator reading material. (His recommended reading list at the end of the article is particularly good.)

While I couldn’t stop nodding at tips like “Avoid repetitive books”, “Do not buy fancy pop-up books,” or “NEVER buy a DK reader book”, I was surprised to actually find myself pausing when I got to Magary’s last tip – “NEVER buy a children’s book written by a celebrity.” (He then adds: “You already knew this. But just in case you were walking by I Already Know I Love You and thought, ‘Hey, maybe that one won’t suck,’ SHUT UP. You should know better.”)

I’d admit, on the surface, that is a fairly good tip. There are a ridiculous number of celebrities who have dipped their toes into the children’s literature arena – Madonna, Bill Cosby, Katie Couric, Billy Crystal, Ricky Gervais, Joy Behar, Gloria Estefan, Jeff Foxworthy, Jay Leno, Jerry Seinfeld, Terrell Owens, LeAnn Rimes, Brooke Shields, Maria Shriver, John Travolta, George Foreman, Jimmy Buffett, and Glenn Beck, to only name a small few. (The Atlantic published an intriguing article last year called “Dr. Seuss vs. Madonna: Can Celebrities Write Good Children’s Books?“) While, full disclosure, I haven’t read all of those particular celebrities’ children’s books, I’ve read enough of them to agree with the broad generalization that most celebrities need to realize that just because they CAN write a kids’ book, it doesn’t mean that they SHOULD.

However, the key phrase in that generalization is “MOST celebrities” because, again, if I’m being honest and I HATE to admit this, I DO know some wonderful kids’ books that have been written by celebrities. And, while, yes, MOST celebrities do write underwhelming, self-indulgent, half-assed kids’ books, there are a few legitimately famous people who have written some really strong, savvy children’s titles that I’m proud to have in our home library. So, to add a quick addendum to the whole “avoid celebrity kids’ books” rule, here are my picks for four celebrity children’s book authors who are actually worth a damn.

1. Michael Ian Black

Michael Ian Black

Michael Ian Black

I’m actually surprised that more comedians don’t write children’s books. A strong sense of humor and a skewed worldview seem to be two qualities that both kids’ authors and comedians would share in spades. However, I just haven’t encountered many children’s titles authored by famous comedians and the few I have (I’m thinking of Jay Leno and Jerry Seinfeld‘s books) seemed disjointed, overwrought, and weirdly reliant on the reader having a working knowledge of the comedian’s on-stage persona, which, c’mon, is an odd expectation for the 7 and under crowd. That being said, there are a few professional funny people who have been able to translate their humor for young readers and, case in point, I think Michael Ian Black, in particular, has done a first-class job in really proving that he’s a skilled and shrewd author for children.

For those unfamiliar, Michael Ian Black is a very funny comic actor and writer whom you know from MTV’s The State, NBC’s Ed, VH1’s “I Love the Decades” series, Wet Hot American Summer, and the Comedy Central series Stella and Michael & Michael Have Issues. He’s also gotten into publishing as of late, releasing a recent essay collection and memoir, and, most importantly to me, authoring some very, very funny picture books. What I really respect about Black’s kids’ books is that he didn’t just take his established comedic persona and try to graft it onto 32-pages of kid-appropriate material. (That’d be like Louis CK trying to do a 10-minute, G-rated set at a Chuck E. Cheese.) Instead, Black took his twisted comedic perspective and used it to create some really fun, silly, and engaging story scenarios that are perfectly suited for a kid’s sensibilities.

The Purple Kangaroo

If a monkey mentions a purple kangatoo, it is surprisingly hard to NOT think about...

In The Purple Kangaroo, Black offers a hysterical riff on the old “don’t think of pink elephants” scenario, in which a very animated monkey talks directly to his readers, promising to read their minds. The monkey then offers an over-the-top description of a crazy purple kangaroo – complete with hula-hoops, roller skates, and more – ends with the declaration that, if you weren’t thinking of a purple kangaroo before, “You’re thinking of one now!” (My daughter reacted to this final punchline like a college student watching the end of The Usual Suspects for the first time. She was delightfully floored.) He also authored Chicken Cheeks, a great picture book about a bear stacking up a bunch of animals to reach some honey – and the majority of the text is just short, extremely funny ways to describe the rear-ends of animals. As the animal tower grows and each creature is forced to deal with the posterior of the animal above them, Black keeps dropping brief phrases like “duck tail,” “moose caboose,” “chicken cheeks,” and “polar bear derriere”, which… it’s a book about finding creative ways to name animal butts – it’s like The Wire for a four-year-old. [read the rest of the post…]

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Alexander and the Terrible, Horrible, No Good, Very Bad Day

Maybe these videos will cheer him up...

As I mentioned in my review, Alexander and the Terrible, Horrible, No Good, Very Bad Day is a universally appealing story for the simple reason that everyone in the world has had the experience of having a really, really bad day. (Right now, your brain is trying to get you to start unconsciously humming Daniel Powter’s “Bad Day”. For the love of humanity, FIGHT that urge.) So, since Alexander is such a relatable tale, it’s not surprising that there have been several multimedia adaptations of the book over the years.

The first video I want to share is probably my favorite – it’s Judith Viorst reading Alexander and the Terrible, Horrible, No Good, Very Bad Day on the Barnes & Noble website.  (I always think it’s great to hear an author read their own work.)

Next is a cartoon adaptation of Alexander that aired on HBO in 1990. This video is the first of three parts of this “musical” – yes, musical – version of Alexander’s very bad day. It’s… not great, in my humble opinion. The songs aren’t exactly Book of Mormon caliber, the animation quality is sub-Rugrats… it’s very much an artifact of the 1990s.

Finally, here’s a brief look at the LIVE musical production of Alexander that Judith Viorst teamed with the Kennedy Center to produce in 1998. This adaptation has toured around the country and it looks silly and fun… even though the trailer does use Powter’s “Bad Day”… shudder…. [read the rest of the post…]

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Alexander and the Terrible, Horrible, No Good, Very Bad Day

Some days you eat the bear. Some days the bear eats you

There are SO many “great” children’s books out there. Books that make you laugh, books that capture your interest, books that tell amazing stories – this blog is full of recommendations of “great books” that anyone should be able to enjoy either at home or at the library. However, there are far, far fewer children’s books that I would actually describe as “important.” Because “important books” are extremely rare. Important books are titles that deliver an experience that 99% of other books just can’t match. These are books that challenge worldviews, open eyes, or supply your children with some piece of essential social perspective or vocabulary that they will use for the rest of their lives. And, in my humble opinion, Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst and Ray Cruz is a very “important” book.

Am I overdoing it a bit on my assessment of Alexander? Possibly. It’s a book that I enjoy a lot and remember fondly from my childhood, so there is a definite nostalgia element to my overall opinion of Alexander. But, my personal baggage aside, I really do think that Alexander and the Terrible, Horrible, No Good, Very Bad Day is one of the top ten ESSENTIAL books that any kid just HAS to read. It’s a book that I think should be one of the cornerstones of any kid’s home library.

Alexander and the Terrible, Horrible, No Good, Very Bad Day

100% essential reading for kids

Why? Because it’s one of the best books ever written for kids about what it’s like to be a kid. Most books that feature child characters have very set and established modes of storytelling. Some just try to be funny, some try to tell short, sweet adventures, some (more than some) are thinly veiled morality tales – Kid A made Mistake B, learned Lesson C, and never made Mistake B again. Young readers get hit with the same types of story structures again and again and again. They wait for the punchline, the end of the quest, or the very special message and, once everything is wrapped up per usual, they move on to the next title.

Alexander and the Terrible, Horrible, No Good, Very Bad Day is a very significant and unusual children’s book because it rejects a lot of those familiar storytelling tropes. There isn’t really a plot to Alexander – we essentially just watch Alexander suffer through having a really not-great day. Everything is narrated from Alexander’s perspective and, from dawn to dusk, we witness things not going Alexander’s way. His opening rant sets the stage perfectly:

I went to sleep with gum in my mouth and now there’s gum in my hair and when I got out of bed this morning I tripped on the skateboard and by mistake I dropped my sweater in the sink while the water was running and I could tell that it was going to be a terrible, horrible, no good, very bad day.

Alexander and the Terrible, Horrible, No Good, Very Bad Day

The very definition of "wrong side of the bed"

Alexander is a hilarious narrator, particularly because, thanks to Viorst’s clever prose, his rants often inadvertently reveal that Alexander isn’t just a victim of bad luck on his very bad day. Sometimes he’s the one creating his own bad luck. [read the rest of the post…]

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Richard Scarry

Do NOT anger the car trip gods with improper backseat reading...

Building off my last feature about essential reads for car trips, here are ten written-in-stone, have-to-be-followed commandments, rules, and good pieces of advice for anyone gathering books for their children to read on an upcoming road trip.

1. You should NOT bring any book that you cannot easily replace. Leave any rare or expensive books or books with heartfelt family inscriptions at home.

2. You must all leave dustjackets at home. Honestly. They don’t protect the books. They just give you something else to rip or lose.

3. You should expect that there is a good chance that any book you bring will be torn, colored upon, stained, smudged, or lightly chewed. This is an inevitability, so there’s no reason to get upset at your kid about it. It’s just going to happen.

4. You must bring some books that are small enough to fit inside a purse or daypack, so that you can bring some reading material into restaurants or rest stops to entertain your kid. Trust me. There will be moments where you just need your child to be preoccupied for a few minutes to give yourself a breather and let you order your Cracker Barrel biscuits and gravy in peace and, if the Berenstain Bears can help you reach that goal, so be it.

5. You must make sure that your child understands that you are bringing books for THEM to read and look at THEMSELVES. Do NOT let them suffer under the illusion that YOU will be reading the books. They need to be content to browse through the books on their own and, besides, reading in the car will totally make you puke.

Richard Scarry

Thou shalt obey the laws of the ideal mobile library...

6. If your child is obsessed with one book in particular and demands that you bring it with you, if you can, buy a secret back-up copy. Stuff happens on the road. [read the rest of the post…]

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